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LiteraryMaryMember Concerns and BusinessAnnouncement and PromotionFlash Fiction Contest Entry 004
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Author Topic: Flash Fiction Contest Entry 004  (Read 645 times)
Sana
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« on: July 01, 2010, 08:38:45 PM »


(Please vote for the following entry with a Yes or No)



Temporary Duty

August, Mississippi Gulf Coast

She got us another, double Jack on the rocks for me, some cherry liqueur-tinged horror for herself.

She watched me watching her. She was older, mid-20s, with straight Indian-black hair cascading over her shoulders halfway to her mid-back, and long dancer’s legs shaped by strappy, spike-heeled “fuck me” shoes.

She walked toward me, smiling, shimmering in midnight indigo, her one-piece mini and ribbon choker of satin.  Her lips and nails were dark, liquid ruby.

She sat the drink in front of me, turned, and effortlessly slid onto my lap. My arm automatically circled her, pulling her to me, thigh and satiny nylons blood-warm under my other hand --

I am not going to do this.

"Thanks, not interested," I said, smiling. I started to push her off my lap.

"Oh, please, get over yourself," she laughed, her arm around my neck, "you told me all about your Jonnie. I get it. You’re taken. I think it's sweet. I just wanted to give you a hug because you're a nice guy, and there ain’t many of you left." She gave me a kiss on the forehead.

She suddenly put her foot up on her knee and reached down to unstrap the high heel. Shifting weight on my lap, sliding friction, radiating heat, shifting blue midnight, secret flesh --

"They look great, but I hate these fucking things," she whispered conspiratorially in my ear, and, sliding and shifting on my lap again, reached down to pull the other one off.

Morning
  
I woke tangled in her, drowning in an oily smog of stale perfume, whiskey, hashish, sweat and sex -- disoriented, I rose, stumbled to the bathroom and splashed my face with the coldest water I cold coax from the rusting faucet.

The dripping ruin in the mirror stared; unbelieving fingers traced perverse, terrible journeys written in flesh. Bites,  bruises, long scratches and crime-scene splashes of dusky ruby smeared on arms, chest, back, and thighs -- my nostrils flared. I reeked of her, a rich, dark, earthy musk; it coiled thick around me and deep, deep, deep, down in primitive, swirling, black-cobalt depths, slithering things stirred.

Once more.

I vomited, hard, and again.

Purged but for bile and blood, I washed my face, scrubbing her away. I went back into the bedroom and pulled on my levis, then barefoot into the kitchen.

Straddling a kitchen chair, I smoked foul menthols I’d found in her purse; through the open door I watched her sleeping, sprawled on the destroyed bed, raw, disheveled beauty turned almost tawdry in the hard morning light. She had a good body, but was an overblown delta rose, aging before her time.

I was AWOL for hours. I didn't care. I could barely breathe.

She stirred, slowly waking. She didn't see me at first, and was surprised when she did. She'd clearly expected that I'd left. She rose and stretched expansively, all tumbling hair and long legs, and padded over to me, naked.

"'Mornin', lover," she smiled,  leaning down to kiss me. I recoiled and pushed her away; surprised, she nearly fell.

"What the fuck's your problem?" she snarled, hand back to strike. I sat defenseless, awaiting the blow.

"Hey, I'm sorry," I said. "I didn't mean it. I can't explain, just please don't..." I stubbed the cigarette viciously into the ashtray on the table. "I'll leave."

"Suit yourself," she snapped. "I wanted to get some breakfast, but you can just pack your shit and get the fuck out."

"Yeah -- Look, you need to know it's not you. I mean it. I just -- ah,  fuck it, I'm sorry."

Suddenly, she softened.

"Yeah, you said that. ‘Sorry.’  Girlfriend there -- me here with you – remorse, right?" She laughed sharply.

She walked back to me and carefully reached down to touch my cheek with her fingertips, looking into my eyes.

"It ain't the first time. But I thought you were different; maybe you really liked me."

Shutters slammed down over the flicker of pain.

"Ah, well," she said indifferently, turning away, "It don't keep us from getting breakfast, does it?"

She walked toward the bedroom, then stopped and turned to me, pouting her ruby lips, and slowly running crimson-nailed hands down her body.

"Admit it though," she said breaking into a bitter leer, "You’ve never done THAT with your little Jonnie."

Her laughter rolled through the apartment like judgment day.

If I'd had a gun I would have killed her on the spot.

A Week Later  

Jonnie, alone, pale with fear, was calling my name, her voice vanishing in the wind whipping her hair and white dress.

I was slow, too slow; suddenly there with my Jonnie was the woman, all tumbling black hair and roiling midnight. She saw me in the distance and smiled; the satin dress swirled and fluttered to her feet. Standing naked in the shimmering indigo puddle, she leaned close and whispered, crimson lips nearly touching Jonnie’s ear. I couldn’t hear her, what was she saying?

But I knew.

Bloody fingernails traced down over breasts, belly, hips, between thighs;  still she whispered her curse as Jonnie watched, astonished. She put her hand to Jonnie's heart, a gentle touch of fingertips on the white cotton of her dress, and Jonnie gasped a great, agonized breath, falling to her knees. I pushed her away from Jonnie and she stumbled, then walked toward the bedroom, leering over her shoulder.  

Jonnie looked up at me, broken, eyes bright with pain. Ruby drops marking the woman's touch spread from Jonnie’s heart like pools of spilled wine. The woman’s laughter rolled like judgment day.

"Admit it, now,” she demanded. “What have you done to your little Jonnie?"

I snapped awake, pen still in hand.

God, what could I possibly write to her?

I dropped the pen to the desk. Nothing. What could a dead man have to say to those he's left?
« Last Edit: August 02, 2010, 02:28:47 AM by Sana Rafiq » Logged

Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"

T.S. Eliot
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« Reply #1 on: July 01, 2010, 08:57:06 PM »


Quote
...the coldest water I cold coax from the rusting faucet.


I love your phrasing, whomever wrote this.

Quote
..unbelieving fingers traced perverse, terrible journeys written in flesh. Bites,  bruises, long scratches and crime-scene splashes of dusky ruby smeared on arms, chest, back, and thighs -- my nostrils flared. I reeked of her...



Again, your phrasing! It's beautiful.

Quote
Her laughter rolled through the apartment like judgment day.


A gorgeous line. White, thick.

I love the piece. The end kind of flips it on it's ass, IMO, but the phrasing makes it. It's honest, it's gorgeous wrapped up in words that convey an honest story. No crit here, just praise.
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".  .  .  and I believe in the God of myself: the one that sees as much colour in a brick as in a rose.   - CB
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« Reply #2 on: July 02, 2010, 02:25:14 AM »


First part read like a song lyric—seemed intentional, possibly, but it made it seem and feel and be as small as a nectar drop, without any of the wealth of nectar; I thought that the second part used a certain kind of language which claimed more than it showed; the third part seemed slightly more sobre. All in all, its rapid pace was not matched by something more essential, something which would have elevated the temporal to its rightful place.

No.
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redperil
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« Reply #3 on: July 02, 2010, 02:26:15 AM »


Lexxi: Yes...or No. That would suffice.

Anyway, from me, it's a no.
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« Reply #4 on: July 02, 2010, 03:42:40 PM »


Yes.
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« Reply #5 on: July 02, 2010, 04:50:37 PM »


No.
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"The castigation of fools is, of course, an ancient and honorable task of writers and, unless very poorly done, an enterprise that will usually entertain those who behold it."
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« Reply #6 on: July 08, 2010, 11:04:43 PM »


Typical.

No
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Vincent Turner
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« Reply #7 on: July 09, 2010, 01:42:58 PM »


.... Yes, just about.
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« Reply #8 on: July 11, 2010, 06:10:44 PM »


It feels too concerned with the romance of a drunken and lonesome man than it does with the characters themselves. Parts of it read like a fantasy. A lot of it, actually. The characters and the plot arc are flat. I feel like the author is saying "Look at this hopeless protagonist and the depraved life he lives. Isn't it decadent? Isn't it outrageous?" That angle brings nothing new to fiction. It's tired.

As far as technical writing is concerned, it feels somewhere in the intermediate stage. I saw a lot of this:
Quote
and effortlessly slid


Quote
My arm automatically circled her


Quote
She rose and stretched expansively


Quote
she said indifferently


Quote
She laughed sharply



And the one that just killed me:
Quote
she whispered conspiratorially



Adverbs: if you find that you need an adverb to "strengthen" your sentence, you've written a bad sentence. They should be used sparingly (teehee).

The figurative language is almost there. The writer certainly has the imagination to connect a factual A with an unlikely and mystic B. I do think that it's misused in parts, either to a distracting or jarring end.

I vote no.
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Sana
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« Reply #9 on: July 12, 2010, 03:25:12 PM »


No
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Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"

T.S. Eliot
--
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